![]() The purpose of this explanation is that, traditionally, tragedy had dealt with such grand subjects as the history of kings, great wars, or powerful love affairs. ![]() Instead of a subject dealing with love or war, the play will present the history of a scholar. The chorus speaks in very formal, rhetorical language and explains that the subject of this play will not be that which is usually depicted in dramas. The opening speech of the chorus functions as a prologue to define the scope of the play. The chorus is also used to express the author's views and to remind the audience of the proper moral to be learned from the play itself. The chorus speaks directly to the audience and tells the basic background history of Faustus and explains that the play is to concern his downfall. It stands outside the direct action of the play and comments upon various parts of the drama. The chorus functions in several ways throughout the play. The technique of the chorus is adapted from the traditions of classic Greek drama. Ultimately, Faustus turns to a study of necromancy, or magic. He so excels in matters of theology that he eventually becomes swollen with pride, which leads to his downfall. John Faustus, who is born of base stock in Germany and who goes to the University of Wittenberg, where he studies philosophy and divinity. Instead, it will present the good and bad fortunes of Dr. ![]() The chorus announces that this play will not be concerned with war, love, or proud deeds. ![]()
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